I have recently conducting a project paper with my topic about " Should governments use solar energy to replace coal power?". It's a academic essay which has to provide argumentative and rebuttal statements. Challenging with doing this is always on. However, unless you have found something interesting on it, there will be never turns down to stop for finding the facts. I believe peoples around are surely heard about what is solar systems, but to be into more specific, I wish to deliver some messages to the world.
Solar energy technologies have great potential to benefit our nation. They can diversify our energy supply, reduce our dependence on imported fuels, improve the quality of the air we breathe, offset greenhouse gas emissions, and stimulate our economy by creating jobs in the manufacturing and installation of solar energy systems.
Modern human population is hundred percent fossil fuel dependent. Indiscriminate use of fossil fuels since century and half has not only depleted this resource from Earth and made gas prices go sky rocketing but has landed us in the environment mess which we are experiencing right now. Answer to all these problems lies in nature and harnessing the natural sources of energy, such as sun, wind, hydro, and geothermal etc. These resources if harnessed properly can meet all our growing energy needs for generations to come without harming the environment.
Solar energy is light and heat energy from the sun. Solar cells convert sunlight light into electrical energy or heat energy. There is enough solar energy falling on the surface of the earth which can take care of all our energy needs. Solar energy is one the most resourceful sources of energy for the future. One of the reasons for this is that the total energy we receive each year from the sun is around 35,000 times the total energy used by man. However, about 1/3 of this energy is either absorbed by the outer atmosphere or reflected back into space.
Concentrated Solar Energy is the future of Solar Energy Creation: It is endless sea of mirrored troughs concentrate strong sunlight and convert it into 750-degree F thermal energy, which can then be used to create steam for electrical power generation. This is concentrated solar energy. Concentrated solar consists of vacuum tube steel and glass receivers. The parabolic mirrors focus the sun's energy on receiver tubes which absorb the solar radiation. The solar radiation then runs a 80 MW steam turbine.
Pros of replacing coal power to solar energy
In Economic view
Provides superior lighting at least cost
Solar home systems provide the least-cost means of receiving high quality home lighting. While providing brighter lighting, as well as access to radio and television. When low-cost financing is available, monthly payments for a solar home system are often below what a family is currently paying for kerosene, dry-cell batteries, candles, and recharging car batteries.
Creates direct employment opportunities
Local businesses selling and servicing solar home systems provide employment for local residents. Dealers, technicians, and local technicians all can be employed selling and servicing solar home systems.
Conserves foreign exchange
As much as 90% of the export earnings of some developing countries are used to pay for imported oil, most of it for power generation. Capital saved by not building additional large power plants can be used for investment in health, education, economic development, and industry. Expanding solar rural electrification creates jobs and business opportunities based on an appropriate technology in a decentralized marketplace.
In Environment view
Reduces local air pollution
Use of solar electric systems decreases the amount of local air pollution. With a decrease in the amount of kerosene used for lighting, there is a corresponding reduction in the amount of local pollution produced. Solar rural electrification also decreases the amount of electricity needed from small diesel generators.
Offsets greenhouse gases
Photovoltaic systems produce electric power with no carbon dioxide (CO2) emissions. Carbon emission offset is calculated at approximately 6 tons of CO2 over the twenty-year life of one PV system.
Conserves energy
Solar electricity for the Third World is an effective energy conservation program because it conserves costly conventional power for urban areas, town market centers, and industrial and commercial uses, leaving decentralized PV-generated power to provide the lighting and basic electrical needs of the majority of the developing world's rural populations.
In Health view
Increases effectiveness of health programs
Use of a solar electric lighting systems by rural health centers increases the quality of health care provided. Solar electric systems improve patient diagnoses through brighter task lighting and use of electrically-lit microscopes. Photovoltaics can also power televisions and VCRs to educate health workers and patients about preventative care, medical procedures, and other health care provisions. Finally, solar electric refrigerators have a higher degree of temperature control than kerosene units, leading to lower vaccine spoilage rates, and increased immunization effectiveness.
Improves indoor air quality
Fumes from kerosene lamps in poorly ventilated houses are a serious health problem in much of the world where electric light is unavailable. The World Bank estimates that 780 million women and children breathing kerosene fumes inhale the equivalent of smoke from 2 packs of cigarettes a day.
Reduces kerosene-induced fires
Kerosene lamps are a serious fire hazard in the developing world, killing and maiming tens of thousands of people each year. Kerosene, diesel fuel and gasoline stored for lamps and small generators are also a safety threat, whereas solar electric light is entirely safe.
This is the better alternative for regenerate our electricity in future. Lets try to imagine after the 30yrs or further, green house effect were not taken control. How is going to be with our mother nature earth ? Global warming is not an easy task to take all control, but we human being can choose to slow it down in fact of that.
Angels & Demons?Some might said why this title. And ya. I have recently watched this show. What do I feel about here an actually? Based on it, Robert Langdon had touched something about this in the earlier beginning screen. The questions some how like these which asked by father, do you believe in god?Woell. I'm an academic person, and I don't really understand god. As here it has something make sense to me, I'm a buddhist, and I guess I don't hold it strong as the serious as those peoples in the show, of cause I were followed those ritual and culture being as chinese does. Things here I'm trying to say are I do believe with them, but in reality life I'm actually deal more with facts. Neither they are exisiting or not, at least a person knows what should do and shouldn't, angels or demons is just on your hand to deciding it. So Science or Religion?
It was a excited plot that the director had related the story with high-end technology and unbelievable reseach from those scientists, "Anti-matter". The thing they believe it could be connecting with god. Angels & Demons is a marked improvement over The Da Vinci Code, while Da Vinci was agonizingly painful to experience, Angels & Demons is almost tolerable. It’s like watching televised golf instead of televised cricket. It’s lighter on its feet, less obtuse, and a little more streamlined. It’s not as grimly serious, although it’s still an overwrought thrill-less thriller infused with historical lunacy that gives way too much respect to its source material.
Angels & Demons also benefits by not so directly confronting the Catholic Church. If they’re challenging Catholic ritual, it at least seems mostly benign, except to suggest that, amidst potential successors to the Pope, there’s political ambition afoot or that certain elements of the Church really hate science. The narrative is still heavily shrouded beneath pointless speechifying, but if you can dig beneath all the talking, the plot is fairly straightforward. The Pope is dead, and during that grieving period, the papal conclave has convened to elect a successor. During the interim, Camerlengo Patrick McKenna (Ewan McGregor) — the pope’s closest associate — is left in charge of the Vatican.
Meanwhile, a group of scientists have created the MacGuffin, a tiny bit of anti-matter that, if it comes into contact with actual matter, can create an explosion large enough to destroy the Vatican. The anti-matter, however, is stolen by the resurfaced Illuminati, an anti-Church secret society that has a history of bad blood with the Vatican. To avenge some three-century old slight, the Illuminati also kidnaps the Preferiti — the four most likely candidates to replace the Pope — and threatens to kill one Cardinal each hour and then, afterwards, allow the anti-matter to detonate and destroy Vatican City.
Professor Robert Langdon (Hanks), a symbologist and expert on The Illuminati, is called to the Vatican and asked to assist in tracking down the hidden locations of the cardinals and the anti-matter. He is assisted by one of the scientists, Vittoria (Ayelet Zurer), who created the anti-matter. A message is left by The Illuminati that offers hidden clues as to the location, which Langdon has to decipher using his expertise in finding bullshit meanings hidden in every fucking artifact in the city and, ultimately, follow the Path of Illumination to locate the Illuminati’s secret meeting place.
The plot holes are too numerous to go into, but the initial logical inconsistency lies in why The Illuminati would even leave clues instead of just killing the four cardinals, blowing up the city, and taking credit for it afterward. Of course, that follows the same bullshit logic that compels bad guys to leave heroes tied up in chairs next to bombs instead of just putting a bullet in their head. It’s hard to take issue with the kind of logical boneheadedness that frames the movie.
But this is what bugged me most about Angels & Demons, an obstacle nearly impossible to overcome in translating this type of book into a movie but one that irritated the hell out of me all the same: Langdon arrives at the Vatican at 7 p.m., right? He’s got five hours to prevent the destruction of the city at midnight, and meanwhile, a cardinal is being killed once every hour. And yet, there is almost no sense of urgency. In nearly every other goddamn scene, Langdon has to stop and explain the historical significance of every motherfucking document, statue, or church he encounters, like Mr. Wizard laboriously explaining to his elementary students the combustive nature of baking soda and vinegar. It may work in the context of the novel, but when the main character is on a time limit and still has to take the time to painstakingly recount the history of The Illuminati or describe the significance of a few statues that had there nethers removed in the 18th century, it starts to get a little MacGruber, if you know what I mean. Just shut up and defuse the bomb already.
While the first 90 minutes is bogged down in the intricacies of Dan Brown’s fictional history, blessedly the last act eschews most of the speechifying and finally gets down to the action-adventure chase. There are enough red herrings to stock the Atlantic Ocean, and Howard — competent as always — gets you right where he wants you before springing his plot turns on you. Ewan McGregor also gets more screen time as the movie wears on, which is fortunate since he’s able to bring some life to an otherwise wilting movie. And some of the plot’s logic starts to come into focus as Howard bends you over to shove his twists up your ass.
Still, Angels & Demons can hardly be described as entertaining. It’s bad Encyclopedia Brown for adults — everything is so meticulously explained, it takes all the air out of any momentum it could’ve otherwise built were it not for the fact that Howard was aiming his movie at an audience of brains addled by Dan Brown, Suze Orman, James Patterson, and whoever else occupies the New York Times’ bestseller list. Granted, Howard does an amazing job of recreating the St. Peters and the Sistine Chapel, the cinematography is, at times, gorgeously glossy, and Hanks does as well as can be expected of an actor who has to spoon feed strained carrots to his audience. But it’s still trash, and if Howard and Hanks could’ve appreciated it for what it was, they might have had a good time with it. As it is, it’s a guilty pleasure without any of the pleasure — like eating a lard sandwich. But I bet that Robert Langdon could explain to you in mind-numbing detail the significance of that lard sandwich before you ate it.
On the Sad morning of June 25, 2009 Michael Jackson was discovered collapsed at his rental home in Los Angeles. 911 emergency services responded promptly at 12:21 pm Pacific time arriving at 12:30 pm to find Michael unconscious and not breathing. He was rushed to the UCLA Medical Center and after a brief slip into a coma Michael was pronounced dead at 2:26pm; the cause reported as cardiac arrest. THE Los Angeles Police Department has opened an investigation and an autopsy is scheduled for Friday, June 26, 2009.
Michael lived a very colourful life and during a short 50 years he made an indelible mark on the planet Earth. Whether or not you are a fan there is nobody who can deny his impact and the memory of him which will persist in all of us indefinitely. Spread the word of Michael Jackson’s legacy and make sure everyone will always remember. Let this application pay tribute to his immortality.
Michael Jackson was born on the 29th of August 1958 in Gary, Indiana. He was the 7th of nine children. (brothers: Sigmund "Jackie", Toriano "Tito", Jermaine, Marlon, Steven "Randy", and sisters Rebbie, Janet and La-Toya Jackson. Michael began his musical career at the age of 5 as the lead singer of the Jackson 5 who formed in 1964.
Michael Jackson performs with The Jackson Five with his brothers Jackie, Tito, Jermaine and Marlon. The Jackson 5 were one of the biggest pop-music phenomena of the 1970s.
Michael Jackson in recent years at a event with the children.
Pop legend Michael Jackson performing one of his many signature moves on stage
Michael Jackson before he became one of the biggest icons in history
A Life of Talent and Tragedy
Jackson was born in 1958, the seventh of nine Jackson children, and before he had reached age 6, he had joined his brothers in the Jackson Five. By age 8, he had taken over lead-singing duties with brother Jermaine, but there was no question who was the star of the group. Little Michael was the best dancer and singer of the bunch, and he also had the mysterious thing that record bosses and studio chiefs crave: star power. Michael appeared to be his best and most interesting self when everyone in the world was watching. (See the all-TIME 100 albums.)
As Michael aged into adolescence, the Jackson Five, renamed the Jacksons after departing from Motown Records, inevitably lost some of its charm. A solo career followed, and after a steady stream of middling hits that attempted to milk the last bit of innocence from Jackson's voice, Jackson had the good fortune to hook up with Jones while filming The Wiz. The two shared a vision for what Jackson's career as an adult might be, and on 1979's Off the Wall, they executed it beyond even Jackson's dreams. With songwriting help from Paul McCartney and Stevie Wonder, Off the Wall spun off four Top 10 hits and two No. 1s - "Don't Stop 'Til You Get Enough" and "Rock with You." (Read TIME's 1984 cover story on Michael Jackson.)
At 22, Jackson became not only one of the most admired pop musicians in the world, but one of the globe's most famous people. And his fame only increased with the 1982 release of Thriller, which was to become the best-selling album of all time (until it was eclipsed in the late '90s by the Eagles' Greatest Hits, 1971-1975). Seven of the record's nine tracks made the Top 10, and the Jones-produced hooks remain awe-inspiring. In a cover story about Jackson and Thriller, TIME described Jackson as "a one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too."
While Jackson had few ambitions at the time beyond global domination, it's worth noting that "The Girl Is Mine" established interracial love as a pop-music theme, and "Beat It" (with Eddie Van Halen's guitar solo) bridged arena rock and soul four years before Run-D.M.C. met Aerosmith. On March 25, 1983, Jackson may have reached the very peak of his fame when he unveiled his signature dance move, the moonwalk, live on the Motown 25: Yesterday, Today, Forever television special.
The years after Thriller, however, were marked by a slow descent into what was at first dismissible as eccentricity. Jackson attended the Grammys on a triple date with Emmanuel Lewis and Brooke Shields, purchased a chimpanzee named Bubbles and was given a diagnosis of vitiligo, a condition that he said was responsible for the steady lightening of his skin. But his songwriting genius remained undeniable. With Lionel Richie, he co-wrote "We Are the World," a 1985 charity single that raised an estimated $50 million for famine relief in Africa and ushered in the era of celebrity philanthropy.
After the release of 1987's Bad, a disappointing follow-up to Thriller, Jackson purchased the 2,800-acre Neverland Ranch in California, and his public weirdness became almost aggressive. In his biography Moonwalk, Jackson wrote of childhood abuse at the hands of his father and multiple plastic surgeries, subjects he returned to in a 1993 interview with Oprah Winfrey that was one of the most watched non-sports programs in American history.
Shortly after, Jackson was accused of child sexual abuse in a suit brought by Evan Chandler on behalf of Jordan, his then-13-year-old son. Jordan told a psychiatrist and police that he and Jackson had engaged in sexual acts that included oral sex; the boy gave a detailed description of Jackson's genitals. The case was settled out of court for a reported $22 million, but the strain led Jackson to begin taking painkillers. Eventually he became addicted.
To counteract the stigma that came with the allegations of pedophilia, Jackson married Lisa Marie Presley in a relationship Elvis' only daughter later dismissed as a sham. Two years later, they divorced.
Given the tumult in his personal life, it's no surprise that the 1990s were a barren period for Jackson creatively. In 2001 he managed to pull himself together enough to release Invincible and stage two concerts celebrating his 30th anniversary as a performer at New York City's Madison Square Garden. The shows, held a few days before Sept. 11, were a capsule of all Jackson had become. There were bizarre cameos from friends Marlon Brando, Liza Minnelli and Elizabeth Taylor. Macaulay Culkin sat next to Jackson in a royal box. But several hours after the proceedings began, when Jackson finally took the stage, all the years of Wacko Jacko melted away. Then in his early 40s, he could still dance and sing better than almost anyone in the world, and he still had star power. The Jackson on display in those concerts was one the world admired and the one that will be missed.
Michael Jackson performing Billie Jean which was written by Jackson and produced by Quincy Jones for the singer's sixth solo album, Thriller.
(This is how the story of Billie Jean comes)
Michael Jackson performing his smooth moves for the music video for Black Or White. Black or White was the first single taken from Michael Jackson's Dangerous album, released on November 1991. The single is considered the biggest selling rock song of the 1990s.
Michael Jackson in London where he announced he would be going on tour. During the press conference he said that his tour will be the "This Is It" gigs and it will be held at the O2 Arena in July. He also did mention that he would never perform in London after his summer concerts.
Michael Jackson in one of his most iconic stage outfits
Michael Jackson performing Thriller. Thriller was the sixth studio album and the best-selling album of all time. The album was released on November 30, 1982 by Epic Records as the follow-up to Jackson's critically and commercially successful 1979 album Off the Wall. Thriller explores similar genres to those of Off the Wall, including funk, disco, soul, soft rock, R&B and pop.
Michael Jackson was much more than the King of Pop
When Michael Jackson anointed himself "King of Pop" over two decades ago, there was considerable rumbling about his hubris: Yes, he may have become a world sensation with record-setting sales of "Thriller," and yes, he may have had a string of No. 1 hits with smashes like "Billie Jean" and "Beat It," but the KING OF ALL POP MUSIC? Surely, in a modern music history that has given us Elvis Presley, the Beatles, Stevie Wonder and so many other greats, that title was more than a bit inflated. But in actuality, Jackson understated his significance. While his elaborate, stop-on-a-dime dance moves and sensual soprano may have influenced generations of musicians, Michael Jackson stood for much more than pop greatness — or tabloid weirdness. One of entertainment's greatest icons, he was a ridiculously gifted, equally troubled genius who kept us captivated — at his most dazzling, and at his most appalling.
At the height of his fame, he was among the world's most beloved figures. Heads of state clamored to meet him, screen legends like Elizabeth Taylor were his close friends, and worldwide, simply the mention of his name could make people do the moonwalk, from Los Angeles to Laos. (The New York Times once accurately described him as one of the six most famous people on the planet). His whispery, high-pitched speaking voice was constantly imitated, his fedora hat on his lean frame instantly recognizable, his childlike image endearing. He influenced artists ranging from Justin Timberlake to Madonna, from rock to pop to R&B to even rap, across genres and groups that no other artist was able to unite. He changed music videos with "Thriller" in 1983, still considered by most to be the greatest music video ever made. Stars like Beyonce still mimic his moves. His one glove, white socks and glittery jackets made him a fashion trendsetter, making androgyny seem sexy and even safe. Almost everyone wanted that Michael Jackson connection (and those who didn't were afraid to say so out loud). His celebrity and adoration was staggering.
So when his image began to crumble, becoming twisted and disturbed, that aspect, too, was larger than life. His multiple plastic surgeries and his vitiligo illness, which saw him transform from a masculine looking black man to a wispy, pale-faced, almost noseless figure, was held up as the standard for bad plastic surgery, a freakish-looking character. His eccentric behavior left people confused, and when allegations (and later criminal charges) that accused him of sexually molesting two boys surfaced on two separate occasions, people were repelled by his alleged behavior and the man that their former idol had become.And yet, it was hard to look away.
In the early days, no one wanted to. Jackson came into our public consciousness as an impossibly cute preteen wonder in 1969, an unbelievably precocious singer in his family band, The Jackson 5. The soon-to-be Motown legend channeled songs like "I Want You Back," and "I'll Be There" with a passion and soulfulness that belied his young years. Even then, his dance moves, copped from the likes of James Brown and Jackie Wilson, were exquisite, and his onstage presence outshone seasoned veterans. The spotlight began to dim when he entered his late teens, however, and while he still had R&B hits with the Jacksons, it seemed as if he would never recapture the pop success that he burst onto the scene with as a child.
But then he met Quincy Jones, and the musical landscape changed. With the legendary producer, Jackson crafted "Off the Wall," what for most artists would be a career-defining album, from the string-enhanced disco classic "Don't Stop Til You Get Enough," a party staple which he wrote, to the bitter ballad "She's Out of My Life." The best-selling album showed the world a grown-up Michael Jackson with grown-up artistry, showcasing his breathy alto-soprano voice and providing a springboard to his early videos, which gave a glimpse of the dance wizardry to come. At the time, it was Jackson's music that was front and center. A 21-year-old who spoke in a breathy, high voice, still lived at home, had his first, barely noticeable nose job and was a self-claimed virgin in an industry known for its hedonism, he was certainly an odd figure, but his personal life had yet to become intertwined with his public image. That began to change during "Thriller" — the album that would become his greatest success and his career-defining achievement. Also produced by Jones, it featured even more of Jackson's songwriting talents. Selling more than 50 million albums to become the globe's best-selling disc, it spawned seven Billboard top 10 hits, including two No. 1s with "Billie Jean" and "Beat It." It won a then-unprecedented eight Grammy awards and numerous other awards.
It was an impact measured much more than in stats. He broke MTV's color barrier, becoming the first black artist played on the young, rock-oriented channel when the success of "Billie Jean" and "Beat It" became so overwhelming it could not be ignored. He also established the benchmark for the way videos would be made, with stunning cinematography, precision choreography that recalled great movie musicals. Jackson's amazing talents as a dancer were also displayed to the world during his Emmy-nominated performance for Motown's 25th anniversary. It is still considered one of TV's most thrilling moments, from his moonwalk strut to his pulsating pelvic movements. But as Jackson's fame grew, his eccentricities, from his strange affinity for children and all things childlike, to his at times asexual image to his fascination with plastic surgery, began to dull the shine off of his sparkling image. As the years went by, those "eccentricities" would become more bizarre, and completely tarnish it.
His skin, once a dark brown, became the color of paste, a transition he blamed on the skin disease vitiligo, though some believed he simply bleached his skin in order to appear more Caucasian. That belief was rooted in his frequent plastic surgeries, which whittled his nose from a broad frame to an almost impossibly narrowed bridge. His image was a tough one to look at, much less embrace. If his plastic surgery made him disturbingly unwatchable, soon, allegations of child abuse would make him reviled among many. He was first accused of molesting a 13-year-old boy in 1993; no charges were ever filed, a civil lawsuit was settled out of court and he always maintained his innocence. Although he had a chart-topping album with "HIStory" in 1995 and was still a superstar, he was a damaged one — and would never fully recover from the allegation.
A criminal charge of molestation of another young boy in 2004, which resulted in his acquittal in 2005, further stripped his marketability and his legacy. After the trial ended, he went into seclusion, and while top hitmakers from Ne-Yo to Akon courted him to make new music, no new CD was ever released. He was overwhelmed with legal and financial troubles, with what seemed like weekly lawsuits against him seeking money owed. A comeback seemed to be most unlikely. His reputation was considered irreparably damaged, his image mocked and his name an automatic punchline. But when he announced he'd be doing a series of comeback concerts at London's famed O2 Arena, not only did the initial dates sell out immediately, the demand was so insatiable he was signed on for an unprecedented 50 shows. He was expected to embark on a worldwide tour sometime after the concert series was completed in March.
Of course, there will be no comeback now, no Jackson 5 reunion, no new music to share with millions of fans. But the legacy he leaves behind is so rich, so deep, that no scandal can torpedo it. The "Thriller" may be gone, but the thrill will always remain.
Michael Jackson photographed on the st of his music video for "The Way You Make Me Feel." The song was recorded for his seventh album Bad (1987). Produced by Jackson and Quincy Jones, it was released as the album's third single in 1987 and became another number-one hit from the album on the U.S. Billboard Hot 100.
Michael Jackson the year he released the best selling album of time and the most popular music video ever.
Thanks to Joshua has invited me to the event in facebook for tributing Michael Jackson. You will always be missed.
Michael Jackson's star on the Hollywood Walk of Fame in Hollywood.
The official "RIP MICHAEL JACKSON" i.e. "BETTER ON THE OTHER SIDE" feat. Chris Brown, Diddy, Polow The Don, Mario Winans, Usher & Boyz II Men produced by D.J. Khalil
I know these is a mighty late posting about it. By right, I should doing this post back to last week, and ya. You got the answer, ima lazy ass, thats why i'm late again here. I have being addicted watching movie on MP4, "[school work how?], na.. make it be later." this was always the usual reason i get used to tell my own. Well then I got my time enjoyed nice in the library last week, not books over, but palm gadget. [grin] This time I was not went to an anonymous for movie, and yes, by peeps which I met near around my table, he's mongolian. Sometime I found difficulties to communicate with foreign students, reason, ya we speak engrish affected by various cultural long way come through. However hands, movement, face reaction are the best for us to deliver the messages. Okay. I had asked for movie from him whereafter. Last, I choosen Slumdog Millionaire.
Jamal
Latika
Jamal, Latika, Salim
I'm once in this age before.
Lets move, Dance.
The thing about ‘Slumdog Millionaire’ is that it is not specifically about life in the slums or about millionaires, nor is it about India or gameshows or making Bollywood into a new western movie genre. It’s about something much deeper, more universal, something that transcends class, caste or culture, and has everything to do with what weight one’s basic humanity has in this massified, globalized world of glitz and information.
The key question the film asks : what do we know and how do we know it? Is culture organized to reinforce deeply unjust divisions and exclusions, to strip certain individuals of the opportunity to access the knowledge that makes a successful, secure life truly possible? Do such exclusions mask their own deficiencies, by depending as much on the upkeep of personal bias and deliberate exclusion as they do on discounting the value of certain unfortunate fellow human beings?
‘Slumdog Millionaire’ explores, in ways at times subtle and complex, at others very much apparent and brutal, this problem of keeping the unfortunate other from being a fellow human being at all. But the movie does not limit itself to issues of class or ethnicity, bias or brutality; instead, it takes us through the intricacies of how a person’s life is also the living of a mode of forming, acquiring and organizing knowledge.
To some degree, maybe it is possible to say, we are the knowledge that we find, create or pull together from sometimes dangerous or problematic experiential sources. The fire of knowledge, the incendiary power of information, and of the competition to get near it, is the substance of the plot-line. The emotional attraction is of course the persecution and the none-grittier lifelong romance, but these are more setting for the telling of a different story than they are the central point.
What is the value of a given map of perception, of an experience, of a particular human being’s approach to knowing about the world? What is the value, for long-term memory and knowledge formation, for resilience of the self deep into the confusion of future circumstance, of this glance or that gaze, of this betrayal or that slip from the center? How to know when to run for the horizon? To betray the betrayers? How to interpret the claims and vestiges of strength to see clearly where it has failed and where it is possible at all?
Is there any truth at all aside from the fact of knowing someone can be trusted? Feeling it? Believing it? It may be about how we disguise ourselves in uses, roles, obligations, the seeming fact of having no choice but what there is. It is written. Maybe it is written in the character, the capacity of vision, the way one finds to bridge the gaps.
The story teaches us a great deal, if we are willing to look, and to learn a little of the backstory, the political and ethnic tension, the demographics of Mumbai, about India’s evolving into a postmodern hornet’s nest of conflicting interests, values, classes and needs. It reminds us that sometimes luxury and entitlement stand in the way of the vital needs of many more people than we can imagine. There are flashes where one asks: how many people live in those absolutely massive slums they show us?
But the story is really about how love and misfortune can be intertwined, how they can feed from each other, how they make up the fabric of a life lived either fatefully or with creative determination. We find the saturation of experience, how ultimate knowledge is beyond us, how in places of transit, we find firm footing and the reversal of slippages from the center we seek to hold, but the finding is always precarious and requires faith and determination.
Jamal’s most character-shaping moments involve either a poised determination, or faith in the outcome being what it should be. This allows him to take the gamble that may seem far-fetched, or unlikely to work out, but makes sense only if we understand the hardened approach to faith and trust, making what you believe, make the best outcome out of your best chances.
Another sub-story we trace through Jamal’s character, which contrasts dramatically with his surroundings, is the power that comes from not swearing allegiance to money or status, the strength that comes from having other, more human concerns that take priority. This is how Jamal is able to keep at his quest, to represent the best part of humanity in a world fraught with chaos and violence.
I have my own questions here : Where is the peace would be exisiting between muslim and hindu or (anti - muslim) in India? [Recap : Mumbai dangerous at the previous moment]
Ps. I would like to introduce this movie to guys as well. If let says his exisiting was none in India, this movie probably were not here.
Mohandas Karamchand Gandhi મોહનદાસ કરમચંદ ગાંધી, (2 October 1869 – 30 January 1948) was the pre-eminent political and spiritual leader of India during the Indian independence movement. He was the pioneer of satyagraha—resistance to tyranny through mass civil disobedience, firmly founded upon ahimsa or total non-violence—which led India to independence and has inspired movements for civil rights and freedom across the world. Gandhi is commonly known around the world as Mahatma Gandhi or "Great Soul", an honorific first applied to him by Rabindranath Tagore, and in India also as Bapu (Father). He is officially honoured in India as the Father of the Nation; his birthday, 2 October, is commemorated there as Gandhi Jayanti, a national holiday, and worldwide as the International Day of Non-Violence.
Gandhi first employed non-violent civil disobedience while an expatriate lawyer in South Africa, during the resident Indian community's struggle for civil rights. After his return to India in 1915, he organized protests by peasants, farmers, and urban labourers concerning excessive land-tax and discrimination. After assuming leadership of the Indian National Congress in 1921, Gandhi led nationwide campaigns to ease poverty, expand women's rights, build religious and ethnic amity, end untouchability, and increase economic self-reliance. Above all, he aimed to achieve Swaraj or the independence of India from foreign domination. Gandhi famously led his followers in the Non-cooperation movement that protested the British-imposed salt tax with the 400 km (249 mi) Dandi Salt March in 1930. Later he campaigned for the British to Quit India. Gandhi was spent a number of years in jail in both South Africa and India at different time periods.
As a practitioner of ahimsa, he swore to speak the truth and advocated that others do the same. Gandhi lived modestly in a self-sufficient residential community and wore the traditional Indian dhoti and shawl, woven with yarn he had hand spun on a charkha. He ate simple vegetarian food, and also undertook long fasts as a means of both self-purification and social protest.
"There are always questions more powerful than answer" I said it at all time A strong statement that I most like about here. I will do my best in future to give out my hand for social need, as children's aid society program is one of the stick into plan.
As the same as usual on wednesday, I will have my classes interval at 8 - 10am and 3 - 5pm in college. In between time the 5 hours stop I will going no where, but library. Downright sometime it seems really bored hanging with revision, magazine, and newspaper. However, this day was something different, I met Andrew around my place no longer after. He's on hand with gadgets, so I try to dropped by his place. Soon I borrowed a MP4 on him, as he was doing with his lappy. He got none movie at firstly. Hence despiting of shameful, I went over an anonymous indian guy which he's doing power slide on the other tables with lappy as well, I guess there must be any movies on it. Got it!. He has some. This dude is friendly, he had shown me certain files, at last I have choosen Marley and Me.
In english the author quoted as "A dog has no use for fancy cars or big homes or designer clothes. Status symbol means nothing to him. A waterlogged stick will do just fine. A dog judges others not by their color or creed or class but by who they are inside. A dog doesn't care if you are rich or poor, educated or illiterate, clever or dull. Give him your heart and he will give you his. It was really quite simple, and yet we humans, so much wiser and more sophisticated, have always had trouble figuring out what really counts and what does not. As I wrote that farewell column to Marley, I realized it was all right there in front of us, if only we opened our eyes. Sometimes it took a dog with bad breath, worse manners, and pure intentions to help us see."
Dogs are always the best keeper surround human being,
Myself always desire the life in future would be approximately like these. A serene and deliberate resident place far away from city, the mostly time to only for beloved one, kids, my parent, possess a dog given name as Leo, we spend the good times together, and also bad times.
Sweet. I always say Malaysian has talent, this is true. So why I like? and yes, the reason we have the same with playing summery ukulele, acoustic guitar, funky jazz lightening songs.
Zee Avi (born Izyan Alirahman, also known as KokoKaina; b. 1986) is a Malaysian singer-songwriter, guitarist, and ukulele player. She was born in Miri, Sarawak, on the island of Borneo. She moved to Kuala Lumpur when she was 12. She studied fashion design at American InterContinental University in London.
Zee originally posted a video of her first song on YouTube because one of her friends had missed her first performance in Kuala Lumpur, so she created a video on YouTube for him to watch. He convinced Zee to leave the video up, and soon she received positive feedback, which inspired her to put more videos on YouTube. After she was featured on YouTube, she was signed by Brushfire Records, which is partly owned by Jack Johnson. Her song "No Christmas For Me" is featured on Brushfire Records's 2008 Christmas album This Warm December: A Brushfire Holiday. Her single "Bitter Heart" was first to become available on the US iTunes store, and her full self-titled debut album was released on May 19, 2009. On the day of her album's release, YouTube featured her on the front page in Spotlight: Music Tuesday. She is currently (June - August 2009) touring the United States. Her song "Monte" was featured in the second season finale of Private Practice.
"I can only note that the past is beautiful because one never realises an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only about the past". "One reason God created time was so that there would be a place to bury the failures of the past." If I could turn the hands of time, I'll turn it forward to tomorrow. I want to move beyond with optimism and growth, taking the past which has gone by as my lessons in realising the future with hope, courage and determination.” I just miss the moment of 17,18,19,20.. 人生会有多少个过去?
2005 - The days was 17'
The tanned skin colour - school boys always be.
2006 - The days was 18'
I miss the James Blunt hair.
Even Samurai
2007 - The days was 19'
Have in mind with the fit bodies.
I always love the looking good period.
2008 - The days was 20'
Obviously weight gained lot and turn old some.
2009 - On Current
obsolete?
“Learn from the past, set vivid, detailed goals for the future, and live in the only moment of time over which you have any control: now.”
Take time to gather up the past so that you will be able to draw from your experience and invest them in the future.
A man you barely know on the street, he has no one but meant to be like a man about town, down-to-earth, the glitorness, prenkster, green democratic, oldskool, living like the jeneses but not affluent.. You've reached the personal blog of mine.Thank for stopping by.